tag:blogger.com,1999:blog-338701482024-02-28T16:24:32.666+00:00tecnosteronaGárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.comBlogger74125tag:blogger.com,1999:blog-33870148.post-9391651191909899442009-10-16T18:16:00.007+01:002009-10-16T18:31:04.504+01:00Hardware<strong><span style="font-size:130%;">Ambient Sequencer AS-606<br /></span></strong><br /><div><div><div><div>Did you think about how to create ambient music that sounds like somebody left a brick on a synthesizer and went for a cup of coffee?</div><div>Well now you can! With Ambient Sequencer AS-606 it is possible to compose music that lasts several aeons and is very simple to use.<br /></div><div><br /></div><div><strong>Ambient Sequencer AS-606 features:</strong></div><div><br /></div><div>One-channel one-step sequencer*</div><div>Unlimited note duration20-voice polyphony**</div><div>Compatible with all digital and analog keyboards</div><div>Real-time control for all parameters</div><div>"To Infinity And Beyond™" infinite control resolution</div><div>Contains no small parts</div><div>No choking hazard</div><div>Suitable for children less than three years old</div><div><br /></div><div>*two-step sequencing option using "black-white" -technique</div><div>**with standard-sized keyboards, more with mini-keyboards</div><div>***yeah, right</div><div><br /></div><div>Ambient Sequencer AS-606 in the box</div><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 213px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5393249430730200466" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeAJ8yEmVq6Opa-ybGEOmwvo11_bAuRRjnxmezdTSkvuSu8tSOfRIR9kapvukLqAcYlTD9p2MQqaDSn_DmOWOr7mKW0k1MIYk8SGJzv8-vKU0xs8JCLyDwBEz1BbNI-byufPpKZQ/s320/as606.jpg" /><br /><div>Ambient Sequencer AS-606 in action with Roland Juno 106</div><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 213px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5393249527273656386" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh0gmhV038DWpIPFfqDhx1-jB9Hp5fz6Ky3d7lhS9zbWzix2V2Wcvri5Fok89nMnxR9DJEGg2zX7BDkLNpWZm2gQEfIN5cvfLnLgjdCPRnZCL4FfCMDo3MKRxTEv1fcaK0oi-CmA/s320/as606_with_juno.jpg" /><br /><div>Ambient Sequencer AS-606 in action with Casio VL-Tone</div><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 213px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5393249611217517122" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQOGdhrr7NWKGFUmeIJQ3p3OWBoss3HsES20AZtgkkfdzT336x015QkM1kr2VWB6OCSYfiYjZSxT0Etl60TtyflEb82yvozCgNJNmZRiPjHcGm7UOr1qpfi6fvSYK1nM3UjwgzyQ/s320/as_with_vltone.jpg" /><br /><div>Ambient Sequencer AS-606 in action with M-Audio Trigga Finger</div><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 256px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5393249749729379394" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm7sZnUrQEqP2_qZMIPET5bm0zoMiMS98Pubh0yONtg71h-LeFQCuNSj-MHfRGuuNMJxkq1GDwXkqN1wauoQgpi-nhr3ga_LVpBgqdTBvLpmk6ur1Mly8iKjQ-2OS8LPc6Tb-KAQ/s320/trigga_finger_with_as606.jpg" /></div><div> </div><div>Ambient Sequencer AS-606 and M-Audio Trigga Finger in detail<img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 214px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5393249845882746194" border="0" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlLJ4Yr08-4vgq0HdEyGl8r3BCyx_Txq0LuiA0kCaMbeW1k8D5romk44AvPEM3-_7GIr-1HpcU4cS1OZKOVIalfhVDxuGTtfXtRaHmoA5dr9UeKM2Lq4snKAR7Pc1NifOzsQgJnQ/s320/trigga_finger_with_as6062.jpg" /><br /><div>Available at a building supplies near you. </div><div> </div><div>Ver mais em <a href="http://www.possecrewensemble.com/">Posse Crew Ensemble</a></div><div> </div><div>Cortesia de Jorge Miguel Nunes André</div></div></div></div>Henrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-23731441501274529312009-05-25T00:33:00.004+01:002009-05-25T01:01:49.042+01:00surface noise poliphony<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwvI3LzmvptCgcla5H6jR09nXzVSPcc7O40ClUg_HkaUtl8n5KVZ5vOT6X7AOhuLH-ZUDJnM5MFiXlvSLA7Z2TbwLq_cSmgUoY6EBgBCnVS9btyIstEypMo_3cbALX81tHFdEPWg/s1600-h/matthaes53.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 318px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwvI3LzmvptCgcla5H6jR09nXzVSPcc7O40ClUg_HkaUtl8n5KVZ5vOT6X7AOhuLH-ZUDJnM5MFiXlvSLA7Z2TbwLq_cSmgUoY6EBgBCnVS9btyIstEypMo_3cbALX81tHFdEPWg/s320/matthaes53.jpg" alt="" id="BLOGGER_PHOTO_ID_5339539741823731250" border="0" /></a><span style="font-weight: bold;">Paschal de l'Estocart</span> - "L'Eau Va Viste En S'Escoulant"+"Mondain, si tu le scais, di moy" et al (Octonaires de la Vanité du Monde/Ensemble Clément Janequin) ca. 1539-1584<br /><span style="font-weight: bold;">Paschal de l'Estocart</span> - "Le beau du monde" (Inconstance et Vanité du Monde Musique aux cours de France et de Savoie en 1601/ Anne Quentin et al.) sec. XVI<br /><span style="font-weight: bold;">Luca Marenzio</span> - "Tirsi morir volea" (Inconstance et Vanité du Monde Musique aux cours de France et de Savoie en 1601/ Anne Quentin et al.) sec. XVI<br /><span style="font-weight: bold;">J. S. Bach</span> - "Kommt, ihr Töchter, helft mir klagen" (Matthäus Passion BWV 244) 1727/ Willem Mengelberg, 1939<br /><span style="font-weight: bold;">J. S. Bach</span> - "Kommt, ihr Töchter, helft mir klagen" (Matthäus Passion BWV 244) 1727/ Fritz Lehmann, 1949<br /><span style="font-weight: bold;">Andrew Liles/Current 93</span> - "The Mystical Body Of Christ In Chorazaim (The Great In The Small)" (Nature Revealed) 2009<br /><span style="font-weight: bold;">J. S. Bach</span> - "Du lieber Heiland du (recitativo/Aria)" (Matthäus Passion BWV 244) 1727/ Willem Mengelberg, 1939<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.soundfountain.com/amb/phmil.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 129px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJuyNEW8eOO5JTTUGcVXH4qDP_GGayyhZSvHQ593RllDboAuFQarnpu4uqxycqHB6pGG5moNJiD6xXj_NOoiLTszecYLedqAp7cG6C23OFfff1HYu0DwcR6xyrGfIH7eJv_nGNRw/s200/phmilencycl800.jpg" alt="" id="BLOGGER_PHOTO_ID_5339544189082628626" border="0" /></a>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-11754792216004553712009-05-13T22:58:00.004+01:002009-05-13T23:47:14.899+01:00ritornello (differenz/wiederholung)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKvLWGQyeaNlLQkLpcW6EPVeHNqTtSxYOCe35PfeJI-GsRGsrlk19j9u8fQIdhqgHzJdaRxiCLI31jQxDtFziHw83ZbNxcx5O1g6AO864Aj1_t8po-QJhBnfjZA6bAN54RSdxRMw/s1600-h/21narcis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 164px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKvLWGQyeaNlLQkLpcW6EPVeHNqTtSxYOCe35PfeJI-GsRGsrlk19j9u8fQIdhqgHzJdaRxiCLI31jQxDtFziHw83ZbNxcx5O1g6AO864Aj1_t8po-QJhBnfjZA6bAN54RSdxRMw/s200/21narcis.jpg" alt="" id="BLOGGER_PHOTO_ID_5335435878904329826" border="0" /></a><div style="text-align: center;">"C'est curieux comme la musique n'élimine pas la ritournelle médiocre ou mauvaise, ou le mauvais usage de la ritournelle, mais l'entraîne au contraire, ou s'en sert comme d'un tremplin. "Ah vous dirai-je maman...", "Elle avait une jambe de bois...", "Frère Jacques...". Ritournelle d'enfance ou d'oiseau, chant folklorique, chanson à boire, valse de Vienne, clochettes à vache, la musique se sert de tout et emporte tout. Ce n'est pas qu'un air d'enfant, d'oiseau ou de folklore, se réduise à la formule associative et fermée dont nous parlions tout à l'heure. Il faudrait plutôt montrer comment un musicien a besoin d'un premier type de ritournelle, ritournelle territoriale ou d'agencement, pour la transformer du dedans, la déterritorialiser, et produire enfin une ritournelle du second type, comme but final de la musique, ritournelle cosmique d'une machine à sons. D'un type à l'autre, Gisèle Brelet a bien posé le problème à propos de Bartok: comment, à partir des mélodies territoriales et populaires, autonomes, suffisantes, fermées sur soi comme des modes, construire un nouveau chromatisme qui les fasse communiquer, et créer ainsi des "thèmes" qui assurent un développement de la Forme ou plutôt un devenir des Forces? [...]"<br /><br />[Gilles Deleuze — Félix Guattari: Mille Plateaux. Editions de Minuit — Chapitre: "De la ritournelle" page 381.]<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR-D0M9pUPKW0CclDfvB5tFDYDhgmqcyi_JH4oXHjSrVConp8-y79BhfrQBV-f6AsQd7XJbRjq4HUAu-n7Lm78yGfLmNtR098XDiegeTrZg9tZPeVqBZBQxRqn2oYuYy5qaBRmhg/s1600-h/hotel_supramonte_ritornello1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 64px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR-D0M9pUPKW0CclDfvB5tFDYDhgmqcyi_JH4oXHjSrVConp8-y79BhfrQBV-f6AsQd7XJbRjq4HUAu-n7Lm78yGfLmNtR098XDiegeTrZg9tZPeVqBZBQxRqn2oYuYy5qaBRmhg/s200/hotel_supramonte_ritornello1.jpg" alt="" id="BLOGGER_PHOTO_ID_5335443777335088066" border="0" /></a><br /><div style="text-align: left;">tracklist de 09/05/2009:<br /><br /><span style="font-weight: bold;">Goem</span> - "Comp Negen" (Bip-Hop Generation [v.1]) 2001<br /><span style="font-weight: bold;">Bernhard Lang</span> - "spur 6" (Loop Generator)<br /><span style="font-weight: bold;">Bernhard Lang</span> - "II. Erzählung, Happiness is a by-product of function" (Das Theater der Wiederholungen) 200-2002<br /><span style="font-weight: bold;">Wolfgang Mitterer</span> - "Radio Fractal 3" (Radio Fractal/Beat Music) 2003<br /><span style="font-weight: bold;">Dr. Robert Greenberg</span> - "Ritornello form" (Great Music)<br /><span style="font-weight: bold;">Bernhard Lang</span> - "Repetition/Difference" (Differenz/Wiederholung 2) 2000<br /><span style="font-weight: bold;">Bernhard Lang</span> - "Acto I. Cena 2. - Fi Fa Fu" (I hate Mozart) 2006<br /><span style="font-weight: bold;">Claudio Monteverdi</span> - "Acto 1. Ritornello: speranza, tu mi vai" (L'Incoronazzione di Poppea) 1642<br /><span style="font-weight: bold;">Gilles Deleuze/Richard Pinhas</span> - "Gilles Deleuze et les Musiciens" (France Culture)<br /><span style="font-weight: bold;">Bell Telephone Laboratories</span> - "Echo and Reverberation" (The Science of Sound) 1959<br /><span style="font-weight: bold;">Bernhard Lang</span> - "III. Erzählung. Von Menschen und Engeln" (Das Theater der Wiederholungen) 2000-2002<br /><span style="font-weight: bold;">Pierre Henry</span> - "Éclats" (Investigations) 1959<br /><span style="font-weight: bold;">Bernhard Lang</span> - "Acto 1. Cena 8. - Impossibile" (I hate Mozart) 2006<br /><span style="font-weight: bold;">Francesco Cilea/Maria Callas</span> - "Poveri Fiori" (Adriana Lecouvreur) 1902/?<br /></div></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-47957445717730170662009-05-10T16:20:00.002+01:002009-05-10T16:23:58.010+01:00ubiquité<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGHZA6VB2gYJPmXYiR_754boAnJa_PnnfRoHXv1n5HYC2crAPSwsemyKZd3jY6hHyJ4AIQqgBbGYdSfkRn3QeXDwSL7qC5KKtkb0IOS_aGQ6aa9E91H0Cuz96-jFlOsLva4kHvA/s1600-h/danse+macabre.jpg"><img id="BLOGGER_PHOTO_ID_5334216361440971826" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 94px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGHZA6VB2gYJPmXYiR_754boAnJa_PnnfRoHXv1n5HYC2crAPSwsemyKZd3jY6hHyJ4AIQqgBbGYdSfkRn3QeXDwSL7qC5KKtkb0IOS_aGQ6aa9E91H0Cuz96-jFlOsLva4kHvA/s400/danse+macabre.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFabm14DPU45dM_C2HWZahyphenhyphen95dPmDDf0eBFC63NVyCTg9bjDH2PCNUpPAvdT3sNHGnnEn7TkYnHunwSBQTinW6AqcccIEU3bUp55qqIn22sH7Shg-D46qeM1aO6zwvNazDcN8KDQ/s1600-h/danse+macabre.jpg"></a><br /><br /><div></div></div>Henrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-67246159643308023682009-04-22T12:52:00.002+01:002009-04-22T12:57:21.457+01:00Artikulation (Gyorgy Ligeti)<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/71hNl_skTZQ&hl=pt-br&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/71hNl_skTZQ&hl=pt-br&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><div style="text-align: center;">[Em 1970, Rainer Wehinger criou uma "Hörpartitur",<br />uma partitura para <span style="font-style: italic;">ouver</span> a peça<br />"Artikulation" de György Ligeti.<br />Alguém se lembrou de filmar cada página e sincronizar com a música.] <br /></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-53124158429647017462009-04-04T17:39:00.000+01:002009-04-04T17:40:53.411+01:00Dots/Points (1940)<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/E3-vsKwQ0Cg&hl=pt-br&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/E3-vsKwQ0Cg&hl=pt-br&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><div style="text-align: center;">[Norman McLaren, "Dots", 1940]<br /></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-56347192459221146472009-04-04T17:37:00.001+01:002009-04-04T17:38:45.916+01:00Synchromy/Synchromie<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Jqz_tx1-xd4&hl=pt-br&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Jqz_tx1-xd4&hl=pt-br&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><div style="text-align: center;">[Norman McLaren, "Synchromy", 1971]<br /></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-53523323967022098602009-02-21T16:30:00.004+00:002009-02-22T16:51:28.043+00:00africa crops<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnan0AVt4ZtJd0aTn8gg3G9HezTwm2SHi5XBgI542tySMt6QbEV6MwE5EwXQDdLrLTyO8ytuWkLP2kKsfusgf8hboTR_PemKHbvquN_FBIg3pc3RuWudJpVKFJGQ3G1Ij7CZ_OQ/s1600-h/african+art.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 231px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnan0AVt4ZtJd0aTn8gg3G9HezTwm2SHi5XBgI542tySMt6QbEV6MwE5EwXQDdLrLTyO8ytuWkLP2kKsfusgf8hboTR_PemKHbvquN_FBIg3pc3RuWudJpVKFJGQ3G1Ij7CZ_OQ/s320/african+art.jpg" alt="" id="BLOGGER_PHOTO_ID_5305665364833294162" border="0" /></a><br />Sublime Frequencies - "Autorail" (Bush Mali Taxi: Field recordings from Mali) 1998<br />Lucien Monbuttou - "Kpiele" (Extreme Music from Africa) 1997<br />Alhaji K. Frimpong - "Kyenkyen Bi Adi Mawu" (Kyenkyen Bi Adi Mawu) 1976<br />Sublime Frequencies - "Country Dogo at Night" (Bush Mali Taxi: Field recordings from Mali) 1998<br />Ata Kak - "Obaa Sima" (Obaa Sima) 1986<br />Rorogwela - "Death Lullaby" (Extreme Music from Africa) 1997<br />VV. - "Adova 1" (Drums of death: Field recordings in Ghana) 1998<br />The Last Poets - "Black is" (This is Madness) 1971<br />Os Turbantes - "De Faia" 2006<br />Orchestre Poly-Rythmo de Cotonou - "Gbeti Madjiro" (African Scream Contest: Raw & psychedelic Afro Sounds from Benim and Togo 70's) 2008<br />Sublime Frequencies - "Morning La Djenne"+"Radio Bamako" (Bush Mali Taxi: Field recordings from Mali) 1998<br />Group Inerane - "Kuni majagani" (Guitars from Agadez) 2008<br />Vicious Teengirl - "Tutampiga" (Extreme Music from Africa) 1997Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-47373157845826536922009-02-21T16:07:00.003+00:002009-02-21T16:29:49.909+00:00uma casinha portuguesa, com certeza...<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfIDXmI3VnGpgvSDpE4au0AqlFkxCz11SniqE7LfFydfVorR3f4WKv6oUHwxBaV8VonUOQSv4LQ43_0lUnO2olGcyjcHxFTVtjdnAg9aNtfUysTazeDF0H3aTm0AqOu3iFzUaC5Q/s1600-h/Casa+Portuguesa.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 138px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfIDXmI3VnGpgvSDpE4au0AqlFkxCz11SniqE7LfFydfVorR3f4WKv6oUHwxBaV8VonUOQSv4LQ43_0lUnO2olGcyjcHxFTVtjdnAg9aNtfUysTazeDF0H3aTm0AqOu3iFzUaC5Q/s200/Casa+Portuguesa.jpg" alt="" id="BLOGGER_PHOTO_ID_5305283793736158786" border="0" /></a>[<span style="font-size:78%;">Silva Júnior, fachada principal e fachada lateral de uma casa portuguesa. <em><br />Revista de Turismo</em>, número 72, de 20 de Junho de 1919.]</span></div><br />António Ferreira - "O verão nasceu da paixão de 1921" (Antologia de música electrónica portuguesa) 2004<br />Carlos Mendes - "Verão" (Festival RTP da Canção) 1968<br />Paquete de Oliveira e João Peste - "Entrevista" (Ama Romanta Sempre) 1999<br />Telectu - "Lado B" (Ctu Telectu) 1982<br />Tecnosterona Productions - "Melancolia" (Radio Port) 2005<br />João Villaret - "Procissão" (Uma noite... na revista)<br />Puccini Rocks - "facafacaganchogancho"+"spectrum"+"praceta santo lenho" (The Pirilampo Magico Project) 2007<br />Vinicius de Moraes et al - "O dia da criação" (Uma noite em casa de Amália) 1968<br />Santa Maria Gasolina em Teu Ventre - "Era uma vez um preto com sida" (Free Terminator/Falcão Solitário sem ser Distorção) 1989<br />No Noise Reduction - "RLOII" (Antologia de música electrónica portuguesa) 2004<br />António Mourão - "Ó tempo, volta p'ra trás" (Uma noite...na revista)Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-5674963250594295882009-01-26T22:45:00.002+00:002009-01-31T17:07:42.333+00:00Apocatastasis<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXcme9AcDrdeXFM9Qfi9RmvbkD5Jd95Tib0daKQk1hRDCCCQlN0Y0nZgusbit3CLo752oAU9Z52WKvxfuUbQvxu5YoXH7Q_DjwKEbQNdyL9xtwuEbAUrlfr-yQbNzcDMnqmUpcLA/s1600-h/jardin-delicias-bosco-img.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 362px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXcme9AcDrdeXFM9Qfi9RmvbkD5Jd95Tib0daKQk1hRDCCCQlN0Y0nZgusbit3CLo752oAU9Z52WKvxfuUbQvxu5YoXH7Q_DjwKEbQNdyL9xtwuEbAUrlfr-yQbNzcDMnqmUpcLA/s400/jardin-delicias-bosco-img.jpg" alt="" id="BLOGGER_PHOTO_ID_5297493120206187266" border="0" /></a>Luc Ferrari - "Presque Rien nº1 c)" (Presque Rien) 1971<br />François Bayle - "Le Langage des Fleurs: Metaphore" (L'Expérience Acoustique) 1970-72<br />Luc Ferrari - "Musique Promenade b" (Presque Rien) 1969<br />De Organographia - "Musical excerpts... anonym" (Music of Ancient Sumerians, Egyptians and Greeks) II A.C.<br />Opus Avantra - "Ah, douleur!" (Donella del Monaco) 1973<br />Red Noise - "En direct du buffet de la gare" (Sarcelles-Lochères) 1971<br />Marin Marais - "Tableau of a Lithotomy" (Tableau of a Lithotomy) 1725/1960's<br />Marin marais - "Les Relevailles" (Pièces de Viole/Tableau de L'opération de la Taille) 1725<br />J.S.Bach/Glenn Gould - "Partita para teclado nº2 em dó menor BWV 826, Sinfonia" (Italian Concerto & Partitas I, II) 1726/30<br />J.S.Bach - "Herr, unser Herrscher..." (Paixão segundo S. João, BWV 245, dir. Andrew Parrot) 1724<br />Kaoru Abe & Masayuki Takayanagi- "Mass Projection 1" (Mass Projection) 1970<br />J.S.Bach - "Wir setzen uns mit Tránen nieder (Coro)" (Paixão segundo S. Mateus, BWV 244, dir. Philippe Herreweghe) 1727<br />Arne Babernhausenheider - White Rabbit von Braketo" ?<br />Carl Orff - "Wann endet die Zeit?" (De temporum fine comoedia) 1973<br />Enbilulugugal - "Nunsucking Necrophiles" (NoizeMongers for GoatSerpent) 2004<br />Miles Davis - "The Birth of the Cool theme (Live)" (The Birth of the Cool) 1949/50<br />Vince Guaraldi - "Linus and Lucy" (Oh, Good Grief!) 1968<br />Danny Ben-Israel - "Bad Trip" (The Kathmandu Sessions) 1970Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-42600940841128245502009-01-12T00:20:00.003+00:002009-01-12T00:25:35.327+00:00Kenji Siratori - Cyber Sphere<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.clubotaku.org/mimi/img/kenjisiratori_cybersphrere.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 227px; height: 227px;" src="http://www.clubotaku.org/mimi/img/kenjisiratori_cybersphrere.jpg" border="0" alt="" /></a><br />Poucos escritores “bizarro” – uma das veias literárias que mais sangue reconduziu ao coração da ficção científica – conseguiram a projecção das suas visões através de uma simbiose tão transparente entre forma e conteúdo. Em Kenji Siratori não parecem existir limites entre os espaços literário e musical, e as múltiplas formas de disseminação de que se apropriou, desde a tinta sobre papel até ao código digital do mp3, revelam uma Gestalt notável quando acopladas à mensagem futurista que lhes imprime. Todos os meios são válidos para o vírus Kenji Siratori que, nos últimos anos, contaminou o meio ambiente com um espólio de detritos electrónicos cujo rasto é facilmente identificável, se bem que dificilmente assimilável na sua totalidade.<br /><br />Colocando um pouco de parte a componente literária da sua produção artística, no plano musical é inevitável a sua associação à falange de músicos que exploram as infinitas arestas do ruído. Masami Akita e Yamasaki Maso são nomes que surgem inequivocamente pela proximidade sonora que aparentam, mas os mecanismos conceptuais em funcionamento no subconsciente sonoro de cada um são bastante distintos. Se em Akita encontramos referências à ecologia radical e Maso nos atormenta com um psicadelismo ultraviolento, em “Cyber Sphere” podemos não só escutar, mas também compreender, um dos conceitos fundamentais da filosofia de Siratori: “o ruído da vida”.<br /><br />No filme “Eli Eli Lema Sabachtani?” (título apropriado das últimas palavras de Cristo na cruz, “Deus meu, Deus meu, por que me desamparaste?”) do seu compatriota Shinji Aoyama, o espectador é catapultado para um Japão distópico, que em 2015 se encontrava a braços com a devastação absoluta e despovoação galopante provocadas pelo “lemming syndrome”. Esta doença viral que impulsionava os pobres infectados ao suicídio tinha apenas uma cura: a audição de ruído. Na improbabilidade de alguma vez sermos assolados por tamanha pestilência, “Cyber Sphere” afigura-se uma óptima panaceia.<br />Henrique Vicente<br /><br />Para fazer o download do disco é <a href="http://www.clubotaku.org/mimi/pt/album101.php">aqui</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-6239043607936602392009-01-11T22:07:00.003+00:002009-01-11T22:43:30.032+00:00de temporum fine parodia<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE6oJ-UqeUyaDo1s-a3cHVvOSibX5QwI6SvTCrbNsrXqh4M7v7zG5dDtmiQsBOzmd4GwyVQNv5s-hJflKAuJg6xnEOvxp4_cy6GQuLDnP7l6cE2WXNF2EjNajnVszf0qtrcESHPQ/s1600-h/red_square_fulls.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE6oJ-UqeUyaDo1s-a3cHVvOSibX5QwI6SvTCrbNsrXqh4M7v7zG5dDtmiQsBOzmd4GwyVQNv5s-hJflKAuJg6xnEOvxp4_cy6GQuLDnP7l6cE2WXNF2EjNajnVszf0qtrcESHPQ/s320/red_square_fulls.jpg" alt="" id="BLOGGER_PHOTO_ID_5290169925285373202" border="0" /></a><br />Conteúdo da paródia:<br /><br /><span style="font-weight: bold;">Carl Orff</span> - "Opse theu g'aleusi myloi"+"Cho - neuso gar hapanta kai"+"Vae, vae ibunt, ibunt"+"Upote, maepote..."+"Unus solus deus ab aeterno" (De temporum fine comoedia) 1973<br /><span style="font-weight: bold;">Current93 & Andrew Liles</span> - "Christus Christus (The Shells Have Cracked)" (Dogs Blood Ascending: a remix by Andrew Liles) 2008<br /><span style="font-weight: bold;">Emit</span> - "Herald The Dawn With Your Offerings" (A Sword of Death for the Prince) 2005<br /><span style="font-weight: bold;">Carl Orff</span> - "Wann endet die Zeit?" (De temporum fine comoedia) 1973<br /><span style="font-weight: bold;">Enbilulugugal</span> - "Return to Hellrokken GoatSex" (Noizemongers for GoatSerpent) 2004<br /><span style="font-weight: bold;">Olivier Messiaen</span> - V. Louange à l'Éternité de Jésus (Quatuor pour la fin du temps) 1941<br /><span style="font-weight: bold;">Giuseppe Verdi</span> - Dies Irae (Requiem) 1974<br /><span style="font-weight: bold;">Carl Orff</span> - "Pater peccavi" (De temporum fine comoedia) 1973<br /><span style="font-weight: bold;">Current93 & Andrew Liles</span> - "From Broken Cross, Locusts" (Dogs Blood Ascending) 2008<br /><span style="font-weight: bold;">Current93</span> - "I Have A Special Plan For This World" (I Have A Special Plan For This World) 2000<br /><span style="font-weight: bold;">Carl Orff</span> - "Con sublima spiritualità" (De temporum fine comoedia) 1973<br /><span style="font-weight: bold;">Enbilulugugal</span> - "Raped by Mammoth" (Noizemongers for GoatSerpent) 2004<br /><span style="font-weight: bold;">Studio der Frühen Musik</span> - "Baron De Mon Dan Covit" (Musik des Mittlealters) 1978Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-27755389575172866902008-12-22T12:34:00.002+00:002008-12-22T12:40:38.717+00:00high speed solar solstice<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8UPHEUgq5WIaRE5_0Sh35j4Dt1JPRa66fZ7FsSbai3vK5olGoWF0PlBZVMmD4BjpTmWf3d1fnEB3ufK4HwXxEz_53Wtge4f0NwMGyuoDcU2q_42O-VYAzTJOoFkoBSXEy8ZHI3A/s1600-h/solstice.jpg"><img id="BLOGGER_PHOTO_ID_5282593442413148242" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8UPHEUgq5WIaRE5_0Sh35j4Dt1JPRa66fZ7FsSbai3vK5olGoWF0PlBZVMmD4BjpTmWf3d1fnEB3ufK4HwXxEz_53Wtge4f0NwMGyuoDcU2q_42O-VYAzTJOoFkoBSXEy8ZHI3A/s320/solstice.jpg" border="0" /></a><br /><div></div><br /><div></div><br /><div>Em ritmo muito acelerado (durante 15 minutos de flama) ouviu-se:</div><br /><div>Coil, Kemialliset Ystavat, Antonin Artaud (La danse du Tutuguri), My Cat is an Alien, Hammemit</div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-70270148941233161612008-12-20T16:52:00.004+00:002008-12-20T17:17:49.570+00:00Food for your brainA 13 de Dezembro o vasto auditório do Tecnosterona foi presenteado com uma dose de tudo isto:<img id="BLOGGER_PHOTO_ID_5281922270211518066" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 212px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii2nPH44f6nCnSd6_Otokj8zlNOEqVzuk7hCU2O2ZTSrWpxz34TLDekMIi2Ecyq6Mdcu6yKsDeEP9fpjBqz8oMBIBrhyphenhyphenGwyLX8WgbIQy_LFPaxI78CdDC0pE7_xb5T04bNWIO8/s320/choco.bmp" border="0" /><br /><div>Foodbrain - That Will Do (A Social Gathering)</div><div>Hapshash & The Coloured Coat - Aoum (Featuring The Human Host And The Heavy Metal Kids)</div><div>Ultra-Red - Rotlicht (Play Kanak Attakk)</div><div>Ultra-Red - Liberté de Mouvement (Play Kanak Attakk)</div><div>Cromagnon - Ritual Fist of The Libido (Orgasm)</div><div>Heldon - Perspective IV (Agneta Nilsson)</div><div>Ravi Shankar - Bhimpalasi (The Sounds of India)</div><div>Madrigal - Stoned Freakout (Madrigal)</div><div>Ros Sereysothea - Wicked Husband (Cambodja Rocks vol. 1)</div><div>Acid Mothers Temple & The Melting Paraiso U.F.O. - The Holly Mountain in The Counter-Clock World (The Penultimate Galactic Bordello Also The World You Made) </div>Ralphhttp://www.blogger.com/profile/10624838470660975611noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-49490586101071961642008-12-19T15:55:00.001+00:002008-12-19T15:56:31.186+00:001st Global Conference: Videogame Cultures and the Future of Interactive EntertainmentFriday 10th July - Sunday 12th July 2009<br />Mansfield College, Oxford, United Kingdom<br /><br />Call for Papers<br />This inter- and multi-disciplinary conference aims<br />to examine, explore and critically engage with the<br />issues and implications created by the <br />mass use of computers and videogames for human<br />entertainment and focus on the impact of<br />innovative videogame titles and interfaces for<br />human communication and ludic culture. In<br />particular the conference will encourage equally<br />theoretical and practical debates which surround<br />the cultural contexts within which videogames<br />flourish.<br /><br />Papers, presentations, workshops and reports are<br />invited on any of the <br />following themes:<br /><br />1. Videogames and Gaming<br />Theories and Concepts of Gaming. Identifying Key<br />Features and Issues.<br /><br />2. Videogame Cultures<br />Emerging Practices in Online and Offline Gaming.<br />The changing Role of the Player.<br />Social Dimension of Online Gaming and Presence in<br />Virtual Worlds. <br />Videogame Modifications, Modders and their<br />Subcultures. Avatars and Identity.<br /><br />3. Videogame Technologies and the Future of<br />Interactive Entertainment<br />The Spatiology of Videogames and Virtual Worlds.<br />Interaction, Interactivity and Collaboration in<br />Videogames. The Role of Innovative Interfaces.<br />Hard Core and Casual Gaming.<br /><br />4. The History of Virtual Worlds and their Cultures<br />The Evolution of Gaming Communities. The Cult<br />Videogames and Interfaces of the Past. The<br />Pioneers of Virtual Worlds. The lost Genres.<br /><br />5. The Relations between Cinema and Videogames<br />Crossmedia and Transmedia Approach to Videogames.<br />Cutscene Production. Machinimation. Interactive<br />Storytelling.<br /><br />6. Art and Experimental Games<br />The Aesthetic Aspects of Videogames. Performative<br />Use of Videogames. Mixed Reality Games. Net-Art.<br /><br />7. Serious Games and Educational Use of 3-D<br />Videogames and Virtual Worlds<br />Serious Games and Social Impact Simulations.<br />Documentary Videogames. Edutainment. Case Studies<br />on Educational Use of Videogames. Political <br />Issues. Censorship.<br /><br />Papers will be considered on any related theme.<br />300 word abstracts should be submitted by Friday<br />6th February 2009. If your paper is accepted for<br />presentation at the conference, an 8 page draft<br />paper should be submitted by Friday 5th June 2009.<br /><br />300 word abstracts should be submitted to both<br />Organising Chairs; abstracts may be in Word,<br />WordPerfect, or RTF formats, following this order:<br /><br />author(s), affiliation, email address, title of<br />abstract, body of abstract<br /><br />We acknowledge receipt and answer to all paper<br />proposals submitted. If you do not receive a reply<br />from us in a week you should assume we did <br />not receive your proposal; it might be lost in<br />cyberspace! We suggest, then, to look for an<br />alternative electronic route or resend.<br /><br />Joint Organising Chairs<br /><br />Daniel Riha<br />Charles University<br />Prague,<br />Czech Republic<br />E-Mail: daniel.riha@ff.cuni.cz<br /><br />Rob Fisher<br />Network Leader<br />Inter-Disciplinary.Net,<br />Freeland, Oxfordshire,<br />United Kingdom<br />E-Mail: gc@inter-disciplinary.net<br /><br />The conference is part of the 'Critical Issues'<br />series of research projects run by ID.Net. It aims<br />to bring together people from different <br />areas and interests to share ideas and explore<br />various discussions which are innovative and<br />challenging. All papers accepted for and presented<br />at the conference will be published in an ISBN<br />eBook. Selected papers may <br />be invited to go forward for development into<br />20-25 page chapters for publication in a themed<br />dialogic ISBN hard copy volume.<br /><br />For further details about the project please visit:<br />http://www.inter-disciplinary.net/ci/Cyber/gc/gc.html<br /><br />For further details about the conference please visit:<br />http://www.inter-disciplinary.net/ci/Cyber/gc/gc1/cfp.htmlHenrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-31482602795042181562008-12-19T15:53:00.000+00:002008-12-19T15:54:49.252+00:004th Global Conference: Visions of Humanity in Cyberculture, Cyberspace and Science FictionMonday 6th July - Wednesday 8th July 2009<br />Mansfield College, Oxford<br /><br />Call for Papers<br />This inter-disciplinary and multi-disciplinary<br />project aims to explore what it is to be human and<br />the nature of human community in cyberculture,<br />cyberspace and science fiction. In particular, the<br />project will explore the possibilities offered by<br />these contexts for creative thinking about persons<br />and the challenges posed to the nature and future <br />of national, international, and global communities.<br /><br />Papers, short papers, and workshops are invited on<br />issues related to any of the following themes:<br /><br /> * the relationship between cyberculture,<br />cyberspace, science fiction<br /> * cyberculture, cyberpunk and the near<br />future: utopias vs. dystopias<br /> * science fiction and cyberpunk as a medium<br />for exploring the nature of persons<br /> * humans and cyborgs; the synergy of humans<br />and technology; changing views of the body<br /> * human and post-human concepts in cyber arts<br />and cinema<br /> * bodies in cyberculture; from apes to<br />androids - electronic evolution; biotechnical<br />advances and the impact of life, death, and <br />social existence; the impact on individuality<br /> * gender and cyberspace: new feminisms, new<br />masculinities<br /> * electronic persons, community and identity;<br />cyberspace, cybercommunities, virtual worlds<br /> * digital culture and interactive storytelling<br /> * old messages, new medium: cyberspace and<br />mass communication<br /> * nature, enhancing nature, and artificial<br />intelligence; artificial life, life and<br />information systems, networked living<br /> * human and post-human politics; cyborg<br />citizenship and rights; influence of political<br />technologies<br /> * cyberpolitics, cyberdemocracy, cyberterror;<br />old conflicts, new spaces: elections, protest and<br />war in cyberspace; nationality and nationalism in<br />cyberculture; the state and cyberspace: repression<br />vs. resistance<br /> * cybercultures: the transnational and the local<br /> * boundaries, frontiers and taboos in cyberculture<br /> * religion and spirituality in cyberculture,<br />science fiction and cyberpunk<br /> * technology vs. the natural? cyberculture<br />and the green movement<br /><br />Papers will be considered on any related theme.<br />300 word abstracts should be submitted by Friday<br />6th February 2009. If your paper is accepted for<br />presentation at the conference, an 8 page draft<br />paper should be submitted by Friday 5th June 2009.<br /><br />300 word abstracts should be submitted to both<br />Organising Chairs; abstracts may be in Word,<br />WordPerfect, or RTF formats, following this order:<br /><br />author(s), affiliation, email address, title of<br />abstract, body of abstract<br /><br />We acknowledge receipt and answer to all paper<br />proposals submitted. If you do not receive a reply<br />from us in a week you should assume we did <br />not receive your proposal; it might be lost in<br />cyberspace! We suggest, then, to look for an<br />alternative electronic route or resend.<br /><br />Joint Organising Chairs<br />Dr Daniel Riha<br />Charles University<br />Prague,<br />Czech Republic<br />E-mail: daniel.riha@ff.cuni.cz<br /><br />Dr Rob Fisher<br />Inter-Disciplinary.Net<br />Priory House, Wroslyn Road<br />Freeland, Oxfordshire OX29 8HR<br />E-mail: visions4@inter-disciplinary.net<br /><br />The conference is part of the 'At the Interface'<br />series of research projects run by ID.Net. It aims<br />to bring together people from different <br />areas and interests to share ideas and explore<br />various discussions which are innovative and<br />challenging. All papers accepted for and presented<br />at the conference will be published in an ISBN<br />eBook. Selected papers may be invited to go<br />forward for development into 20-25 page chapters<br />for publication in a themed dialogic ISBN hard<br />copy volume.<br /><br />For further details about the project please visit:<br />http://www.inter-disciplinary.net/ati/Visions/vhccsf.htm<br /><br />For further details about the conference please visit:<br />http://www.inter-disciplinary.net/ati/Visions/v4/cfp.htmlHenrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-75551792433413187792008-12-08T22:27:00.010+00:002008-12-08T22:57:22.188+00:001/2<span style="font-size:85%;"><span style="font-family:arial;">No sábado, 6 de Dezembro, houve meio programa em meia estereofonia:<br /><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGAWvoWsVDpLnH5KZ1ZFiHMrDGNhuVKpTq_3uKFONLO_3MG-qgf2x_CxU0jpgrRBagg5pL1dkbrUSBqFM8jA3G8X8amQoMHwMUtUY9Q2NBmRcxub8aDZRaKUbj3xhEthGJPelvMA/s1600-h/half-assed-LP.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 198px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGAWvoWsVDpLnH5KZ1ZFiHMrDGNhuVKpTq_3uKFONLO_3MG-qgf2x_CxU0jpgrRBagg5pL1dkbrUSBqFM8jA3G8X8amQoMHwMUtUY9Q2NBmRcxub8aDZRaKUbj3xhEthGJPelvMA/s200/half-assed-LP.jpg" alt="" id="BLOGGER_PHOTO_ID_5277556849625051394" border="0" /></a><br /><span style="font-size:85%;"><span style="font-family:arial;">Enbilulugugal/Kaoru Abe/Dj Scotch Egg/Venetian Snares/Deathstorm/Pierre Henry/Tibet: Chants Sacrées/</span></span><span style="font-size:78%;"><span style="font-family:arial;"><br /></span></span>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-38664489181406128582008-11-29T23:26:00.005+00:002008-11-30T00:06:31.364+00:00frosty cold november<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGVUNQ_7iQEAq100BYQK9c1OwnvbM5ZWJRd-mQr-AJC8JdhMiayMxSbBObgx8eiXXzsIo7CpHS7eDiLhVaA-cQkBa8qnluSTlKAScUzrRnTsnoSPH8pTAS_eS_vXiQgdWh4B74w/s1600-h/Hevoset.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 192px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGVUNQ_7iQEAq100BYQK9c1OwnvbM5ZWJRd-mQr-AJC8JdhMiayMxSbBObgx8eiXXzsIo7CpHS7eDiLhVaA-cQkBa8qnluSTlKAScUzrRnTsnoSPH8pTAS_eS_vXiQgdWh4B74w/s200/Hevoset.jpg" alt="" id="BLOGGER_PHOTO_ID_5274231926366326290" border="0" /></a><br /><span style="font-family:arial;">A playlist de hoje:<br /><br />Kuupuu - "Aava" (Kulta Sulka) 2006<br />Kuupuu - "Myrsky Laulu" (Kulta Sulka) 2006<br />Chris Watson & BJ Nilsen - "Sigwx" (Storm) 2006<br />Paivasande - "Sihitaikina" (Maan Matoset - compil.) 2005<br />Erkki Kurenniemi - "On-Off" (Äänityksiä / Recordings 1963-1973) 2002<br />Paavoharju - "Sumuvirsi" (Laulu Laakson Kukista) 2008<br />Sunburned Hand of the Man - "The Twin Gates"+</span><span style="font-family:arial;">"Eve</span><span style="font-family:arial;">ry Direction"</span><span style="font-family:arial;"> (No Magic Man) 2004<br />Pierre Henry - "Jugement" (Le Livre des Morts Egyptien) 1986-88 (1994)<br /></span><span style="font-family:arial;">Sunburned Hand of the Man - "Camel backwards" (Rare Wood) 2004<br />Brenda Lee - "I'm sorry" 1960<br />Inland Empire - "Intro" (Inland Empire OST) 2006<br /></span><span style="font-family:arial;">Sunburned Hand of the Man - "Elix it" (Magnetic Drugs) 2003<br /><br /></span><div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2PMakYuTfjo-kSNm1Aj4JgnWocoyt4jX_Q0DCE-caL2Af4b9Mk0dVBgBZlKk37oRPcp4tX0MX55piNYeBFwafQdg5PPyQZszexYmIO2FAPmVH68op8pJhklHZHJbYVHTzhtMPvw/s1600-h/libromorti.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 92px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2PMakYuTfjo-kSNm1Aj4JgnWocoyt4jX_Q0DCE-caL2Af4b9Mk0dVBgBZlKk37oRPcp4tX0MX55piNYeBFwafQdg5PPyQZszexYmIO2FAPmVH68op8pJhklHZHJbYVHTzhtMPvw/s200/libromorti.jpg" alt="" id="BLOGGER_PHOTO_ID_5274232042458476850" border="0" /></a><span style="font-family:arial;">NEKHT, THE CAPTAIN OF SOLDIERS, THE ROYAL SCRIBE, SINGETH A HYMN OF PRAISE TO RA, and saith:- Homage to thee, O thou glorious Being, thou who art dowered [with all sovereignty]. O Tem-Heru-Khuti (Tem- Harmakhis), when thou risest in the horizon of heaven a cry of joy goeth forth to thee from all people. O thou beautiful Being, thou dost renew thyself in thy season in the form of the Disk, within thy mother Hathor. Therefore in every place every heart swelleth with joy at thy rising for ever. The regions of the South and the North come to thee with homage, and send forth acclamations at thy rising on the horizon of heaven, and thou illuminest the Two Lands with rays of turquoise-[coloured] light. O Ra, who art Heru-Khuti, the divine man-child, the heir of eternity, self-begotten and self-born, king of the earth, prince of the Tuat (the Other World), governor of Aukert, thou didst come from the Water-god, thou didst spring from the Sky-god Nu, who doth cherish thee and order thy members. O thou god of life, thou lord of love, all men live when thou shinest; thou art crowned king of the gods. The goddess Nut embraceth thee, and the goddess Mut enfoldeth thee at all seasons. Those who are in thy following sing unto thee with joy, and they bow down their foreheads to the earth when they meet thee, the lord of heaven, the lord of the earth, the King of Truth, the lord of eternity, the prince of everlastingness, thou sovereign of all the gods, thou god of life, thou creator of eternity, thou maker of heaven wherin thou art firmly stablished.<br /><br />[APPENDIX (From the Papyrus of Nekhtu-Amen, ed. Naville, I, 5)]<br /></span></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-80403343450700058152008-11-25T21:45:00.006+00:002008-11-30T00:12:24.587+00:00bukkake sunrise<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWckq2Fc2pQ7rLzk8Pcc70lQu4CeDkfnt2N_LzaDPo7-8rEBsFsy6XK2btx0mGpGk6k0XiwsN5cnhlQAfCCQV8jwIiUopC0PTSgjRkq9xYf3axp0GM4XIbxnKAYCLqCRY9W0TiXw/s1600-h/Wanderers+painting_450+web.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWckq2Fc2pQ7rLzk8Pcc70lQu4CeDkfnt2N_LzaDPo7-8rEBsFsy6XK2btx0mGpGk6k0XiwsN5cnhlQAfCCQV8jwIiUopC0PTSgjRkq9xYf3axp0GM4XIbxnKAYCLqCRY9W0TiXw/s320/Wanderers+painting_450+web.jpg" alt="" id="BLOGGER_PHOTO_ID_5274111956128823554" border="0" /></a><br /><span style="font-size:85%;"><span style="font-family:arial;">A playlist de 22 de Novembro:<br /><br />Master Musicians of Bukkake - "Bukkake Sunrise" (The Invisible Sign of The Invisible Order) 2004<br />Master Musicians of Bukkake - "Yellow Bile/Desperate Ground" (The Invisible Sign of The Invisible Order) 2004<br />Yahowa 13 - "Ho" (Penetration) 1974<br />Pocahaunted - "Divine Flesh" (Peyote Road) 2008<br />Pramod Kumar - "Raga Purya Kalyan" (Indian Raga Route) 70's<br />Kawabata Makoto - "Osculation (remix version)" (I'm in Your Inner Most) 2002<br />Terry Riley - "A Rainbow in Curved Air" (A Rainbow in Curved Air) 1971<br />Children of One - "Spheres" (Children of One) 1969<br />Terry Riley - "Mescaline Mix" (Music for the Gift) 1960-63<br />Salvador Dali - "L'Apothèose du Dollar" (Pub pour le CCF) 1971<br />Paavoharju - "Pimeänkarkelo" (Laulu Laakson Kukista) 2008<br /><br />At the beginning the Creator existed.<br />Everyone knows about him.<br />And White Painted Woman also existed.<br /><br />(1.2)<br />Afterwards Child of the Water was born.<br />Killer of Enemies also was born.<br /><br />(1.3)<br />So there were four existing at the very beginning [of time].<br /><br />(1.4)<br />And Child of the Water was the child of White Painted Woman.<br />And Killer of Enemies was one of the evil people.<br /><br />(1.5)<br />He who is called Giant also existed.<br />He did not permit people to live.<br />White Painted Woman's children were being born.<br />While White Painted Woman's children were still small,he who is called Giant ate them.<br /><br />[The Child of Water, excerpt]<br /></span></span>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-61985795704948573622008-11-25T21:42:00.005+00:002008-11-29T23:55:09.167+00:00droning on<span style="font-size:85%;"><span style="font-family:arial;">playlist de 15 de Novembro:<br /><br />Terry Riley; Yoshi Wada; La Monte Young; Elvis, John Lennon & Princess Diana; Taj Mahal Travellers; Nasser Rastegar; Ravi Shankar; Roots of Gamelan; Richard Pinhas + Merzbow; V. A. Occult Explosion; Sopwith Camel; Wendy Carlos<br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIE8b7ERYh3qWHLGrgoMaZ79lCUXiA404C3OG4-R61WhCEsFnUBeSORgRAGlY-0BAHw-Ga8OJp4VGIE_-KYymCESncyJx5WR7LbxD6RzbaCZfcpgG28jzn8AiOf9Z4-jlSUCd-XQ/s1600-h/Mark-Rothko-No-14-1960.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 184px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIE8b7ERYh3qWHLGrgoMaZ79lCUXiA404C3OG4-R61WhCEsFnUBeSORgRAGlY-0BAHw-Ga8OJp4VGIE_-KYymCESncyJx5WR7LbxD6RzbaCZfcpgG28jzn8AiOf9Z4-jlSUCd-XQ/s200/Mark-Rothko-No-14-1960.jpg" alt="" id="BLOGGER_PHOTO_ID_5274112681647231538" border="0" /></a>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-30354177248221356942008-11-13T00:15:00.006+00:002008-11-14T16:39:29.007+00:00sonderagebot!<span style="font-size:85%;"><span style="font-size:100%;">Tecnosterona de 8 de Novembro de 2008<br /><br />Foi assim com este formato e conteúdo tal e qual por esta ordem:<br />W.S. Burroughs (com Ian Sommerville) - Silver Smoke of Dreams (Break Through in Grey Room), Spoke - Live Nevers 2/6/1996 (Staalplaat's Sonderagebot), David Behrman (com Gordon Mumma) - Players wiyh Circuits (The Wire 20 Years 1982-2002 Audio Issue)SoiSong - Soijin Ni Hai (SoiSong), Willard Cantelon - LSD, Battle for the Mind, Deutsch Nepal - Bausteine Der Zukunft (Staalplaat's Sonderagebot), Aksak Maboul - Palmiers en Pots: a. Trio; b. Tango (Un Peu de L'Áme des Bandits), M. Giacometti e Fernando Lopes-Graça - Deus te Salve (Portuguese Folk Music, Trás-Os-Montes), Enrico Caruso - Una Furtiva Lagrima (The Complete Caruso), Hrvatsky - Routine Exercise (Oiseaux), DJ Pica Pica Pica - Water Drums (Planetary Natural Love Gas Webbin' 199999), Chantal Goya - A la Sortie de ma Classe (Les Annés 60), DJ Pica Pica Pica - Beats for...Banaspati + Burrega Theme (Planetary Natural Love Gas Webbin' 199999), People Like Us- Ursula Fährt Sky (Staalplaat's Sonderagebot) , Sachiko M - 28082200 (Japanese Avant Garde), RJ Valeo - Monday Night (The Wire Tapper 20), Muslimgauze - Kaliskinazure (Staaplaat's Sonderagebot), Magical Power Mako - Cha Cha (Magical Power), Ground Zero - Live 1992 -(Japanese Avant Garde), DJ Pica Pica Pica - Sound Effects for Club's and DJ's Vol. 2 (Planetary Natural Love Gas Webbin' 199999)</span><br /></span><span style="font-size:78%;"></span><br /><span style="font-size:78%;"></span>Ralphhttp://www.blogger.com/profile/10624838470660975611noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-78862791409275932162008-11-02T18:21:00.002+00:002008-11-02T18:47:31.997+00:00radio of eternal musicPlaylist, 1 de Novembro de 2008<br /><br /><a href="http://www.textura.org/newreviewspages/dronesarticle.htm">Droning</a> along with... <strong>Earth</strong> "Seven Angels", "Like Gold And Faceted" (Earth 2 Special Low Frequency Version), <strong>Yoshi Wada</strong> "Singing", "Bagpipe" (Lament For The Rise And Fall Of The Elephantine Crocodile), "Off The Wall I", "Off The Wall II", "Die Konsonanten Pfeifen" (Off The Wall), <strong>Gerald Heard</strong> "Survival, Growth And Rebirth" (Explorations Vol. 2), <strong>Punck</strong> "Piallassa" (Piallassa, Red Desert Chronicles)Henrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-54094896540772394842008-10-26T17:25:00.007+00:002008-11-12T13:02:48.781+00:00le roi est mort! vive le roi!<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5NcqHfKiKeFb38DHNpbjKSKnLVx3ojgPqvi1JCIazV_lD4I3VWsCIKC4smlP5PaYwXqMmKaXQBx5c_7F0uWgoiY3ov68tv1n3YKYUTCM3I90XRjnt7rzPFoJ0Y4337YumJ02ZFw/s1600-h/8bitMayhem.jpg"><img id="BLOGGER_PHOTO_ID_5261518761111888722" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 311px; CURSOR: pointer; HEIGHT: 290px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5NcqHfKiKeFb38DHNpbjKSKnLVx3ojgPqvi1JCIazV_lD4I3VWsCIKC4smlP5PaYwXqMmKaXQBx5c_7F0uWgoiY3ov68tv1n3YKYUTCM3I90XRjnt7rzPFoJ0Y4337YumJ02ZFw/s320/8bitMayhem.jpg" border="0" /></a><br /><span style="font-size:85%;"><span style="font-family:arial;">Tecnosterona 25 de Outubro de 2008:<br /><br /><span style="FONT-WEIGHT: bold">Keith Fullerton Whitman</span> - "Stereo Music for Farfisa Compact Duo Deluxe, Drum Kit" (Multiples) 2005<br /><span style="FONT-WEIGHT: bold">Pierre Henry</span> - "Machines + Vitesse" (Futuristie) 1975<br /><span style="FONT-WEIGHT: bold">Stream Angel</span> - "The return of the fair gardener" (The return of the fair gardener) ?<br /><span style="FONT-WEIGHT: bold">Ovo</span> - "Anime morte" (Miastenia)2006<br /><span style="FONT-WEIGHT: bold">Lokonon Andre & Les Volcans</span> - "Mi Kple Dogbekpo" (African Scream Contest - Raw & Psychedelic Afro Sounds From Benin & Togo 70s) 70's<br /><span style="FONT-WEIGHT: bold">Dj Speedranch</span> - "Thanksgiving Day (Creed Are Twats And Nickelback Look Like Mike Bolton Mix)" (PCP Torpedo / ANbRX) 2006<br /><span style="FONT-WEIGHT: bold">Venetian Snares</span> - "Eurocore MVP" (Detrimentalist) 2008</span><br /></span><span style="font-family:arial;"><span style="font-size:85%;"><span style="FONT-WEIGHT: bold">Dj Scotch Egg</span> - "Scotch Jazz festuring Andershana on guitar" (Drumized) 2008<br /><span style="FONT-WEIGHT: bold">Regrelh</span> - " 'Clariasme' o la naissança d'un son" (La Douceur d'un Son Nouvel) 1979<br /><span style="FONT-WEIGHT: bold">Regrelh</span> - "Esmai" (La Douceur d'un Son Nouvel) 1979<br /><span style="FONT-WEIGHT: bold">Current 93 & Andrew Liles</span> - "Ach Golgotha" (Nature Revealed) 2008<br /><span style="FONT-WEIGHT: bold">8 Bit Mayhem</span> - "I am the Black Wizzards (Emperor)" (De Mysteriis Dom Supernes) Certamente, muito recente!<br /><br /><br /></span></span><div style="TEXT-ALIGN: justify"><span style="font-size:85%;"><span style="font-family:arial;"><span style="font-family:arial;">E assim demos início a mais uma temporada do programa que é uma </span></span><span style="font-family:arial;">missa helicoidal para campos magnéticos; um projecto reticular animado pela dinâmica vectorial e quiástica electronicamente induzida das dobras heterogéneas que o decompõem, abrindo-se a uma partenogénese rítmica e a uma cristalização líquida, obviamente harmónica, de consonância extravagante ou excêntrica; uma autopoiése nano-melódica e cromática de cariz eroto-religioso e micropolítico digital, inspirada pela crítica esquizo-analítica do bypass e das experimentações electroacústicas.</span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6S7bTXMUGcVThNUAl9uHHVL7YfEeavuvbTQtdCg3QIZtviUXe7iBfggfPAbxS9s6TTbGYkNmxJQYnowUcrUuu8jMGMIVA_Sb2Mr23lXIt0QxBoO6SehdDArz9U1zuxjDgjR_09g/s1600-h/SpongeBob-SquarePants.jpg"><span style="font-size:85%;"><img id="BLOGGER_PHOTO_ID_5261519583139784530" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 159px; CURSOR: pointer; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6S7bTXMUGcVThNUAl9uHHVL7YfEeavuvbTQtdCg3QIZtviUXe7iBfggfPAbxS9s6TTbGYkNmxJQYnowUcrUuu8jMGMIVA_Sb2Mr23lXIt0QxBoO6SehdDArz9U1zuxjDgjR_09g/s200/SpongeBob-SquarePants.jpg" border="0" /></span></a></div>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com3tag:blogger.com,1999:blog-33870148.post-38185409770778408972008-10-20T16:01:00.008+01:002008-11-12T13:04:36.926+00:00Z=z^2+c<span style="font-size:78%;"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBgXmT0rXk4YaGQbmywxQna6LKRVajANR9WdgSZyQKWo6dkAN7A4xnLz8Lz77qcj6xvHAhz-04oGz8gdInBCChoXi_4AUVleYptDSaFYDJUebLq1G0hZg31_jtdhnGiZSuoJuZ8Q/s1600-h/2263566201_1fb50e97fe_o.jpg"><img id="BLOGGER_PHOTO_ID_5259255627351607778" style="DISPLAY: block; MARGIN: 0px auto 10px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBgXmT0rXk4YaGQbmywxQna6LKRVajANR9WdgSZyQKWo6dkAN7A4xnLz8Lz77qcj6xvHAhz-04oGz8gdInBCChoXi_4AUVleYptDSaFYDJUebLq1G0hZg31_jtdhnGiZSuoJuZ8Q/s320/2263566201_1fb50e97fe_o.jpg" border="0" /></a><br /><div><div><span style="font-size:85%;">Por entre a complexidade fractal das listas rabiscadas durante os últimos programas foi possível discernir as seguintes palavras:</span></div><br /><div><strong><span style="font-size:85%;">Edward Artemiev </span></strong><span style="font-size:85%;">Nurse With Wound </span><span style="font-size:85%;"><span style="FONT-WEIGHT: bold">3 Eggs </span>Enrico Caruso</span><span style="font-size:85%;"><span style="FONT-WEIGHT: bold"> Morton Subotnick </span>Cosey Fanni Tutti </span><strong><span style="font-size:85%;">Andrew Liles & Jean-Herve Peron </span></strong><span style="font-size:85%;">William Lawes <span style="FONT-WEIGHT: bold">Danny Ben-Israel</span> Grace Slick & The Great Society </span><strong><span style="font-size:85%;">COH </span></strong><span style="font-size:85%;">Charles Manson </span><strong><span style="font-size:85%;">Kan Mikami </span></strong><span style="font-size:85%;">Zx Spectrum Orchestra <span style="FONT-WEIGHT: bold">Glenn Gould </span>SoiSong <span style="FONT-WEIGHT: bold">Hanatarash</span> Leading Soloists of Japan </span><strong><span style="font-size:85%;">Autechre </span></strong><span style="font-size:85%;">Venetian Snares </span><strong><span style="font-size:85%;">The Monastery of Gyoto </span></strong><span style="font-size:85%;">Alva Noto </span><strong><span style="font-size:85%;">Lee Harvey Oswald </span></strong><span style="font-size:85%;">Byetone <span style="FONT-WEIGHT: bold">Pierre Henry</span> Francis Dhomont </span><strong><span style="font-size:85%;">Coil </span></strong><span style="font-size:85%;">Luigi Russolo </span><strong><span style="font-size:85%;">Olivier Messiaen </span></strong><span style="font-size:85%;">White </span><strong><span style="font-size:85%;">Boredoms/Unkle</span></strong></div></div>Henrique Vicentehttp://www.blogger.com/profile/02036742326755407241noreply@blogger.com0tag:blogger.com,1999:blog-33870148.post-80160051131304432282008-09-03T17:22:00.005+01:002008-11-12T13:05:00.125+00:00miracle surface noise<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7qpix5XsSRuHLs3AaRnsuYVCeNSKBQ_rjihheri9f36dYONIfdiLNgtqhGOs4x6dFEL7CXEFXH3jdDkURqcjKEFxtlRJYuz1dsnAbmMnv2hHifldAEXtOibnJErVAVkXxtdhqFA/s1600-h/RRMusicBoxOpera.jpg"><img id="BLOGGER_PHOTO_ID_5241831437277437330" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7qpix5XsSRuHLs3AaRnsuYVCeNSKBQ_rjihheri9f36dYONIfdiLNgtqhGOs4x6dFEL7CXEFXH3jdDkURqcjKEFxtlRJYuz1dsnAbmMnv2hHifldAEXtOibnJErVAVkXxtdhqFA/s320/RRMusicBoxOpera.jpg" border="0" /></a><br /><span style="font-family:arial;"><span style="font-size:85%;">Playlist do 30.08.2008:<br /><br /></span><a href="http://www.enricocarusomuseum.com/"><span style="FONT-WEIGHT: bold;font-size:85%;" >Enrico Caruso</span></a><span style="font-size:85%;"> - "Una furtiva lagrima" (Collected works of Caruso) 1904<br /><span style="FONT-WEIGHT: bold">Pierre Henry</span> - "Spirale" (Musique sans titre) 1955<br /></span><a href="http://www.mimaroglumusicsales.com/artists/ruth+white.html"><span style="FONT-WEIGHT: bold;font-size:85%;" >Ruth White</span></a><span style="font-size:85%;"> - "The Clock" (Flowers of Evil) 1969<br /></span><a href="http://120years.net/machines/trautonium/index.html"><span style="FONT-WEIGHT: bold;font-size:85%;" >Oskar Sala</span></a><span style="font-size:85%;"> - "Brenner's House" (Sound Effects from "The Birds") 1963<br /><span style="FONT-WEIGHT: bold">Chris Watson & BJ Nilsen</span> - "No man's land" (Storm) 2006<br /><span style="FONT-WEIGHT: bold">Enrico Caruso</span> - "Mi par d'udir ancora" (Collected works of Caruso) ?<br /><span style="FONT-WEIGHT: bold">Pierre Henry</span> - "sans titre 3" (Maléfices) 1962<br /><span style="FONT-WEIGHT: bold">Ruth White</span> - "Owls" (Flowers of Evil) 1969<br /><span style="FONT-WEIGHT: bold">Elliot Caplan</span> - side one (Passages from Finnegan's Wake) 1967<br /></span><a href="http://www.whalesfilm.com/paynebio.htm"><span style="FONT-WEIGHT: bold;font-size:85%;" >Dr. Roger S. Payne</span></a><span style="font-size:85%;"> - "Rights: deep breathing" (Deep voices: the second whale) 1977<br /><span style="FONT-WEIGHT: bold">G. Bizet</span> - "Toreador song, from 'Carmen'" (</span><a href="http://www.analogartsensemble.net/2007/04/wound-up-opera-side.html"><span style="font-size:85%;">Wound-up Opera</span></a><span style="font-size:85%;"> played by rare antique music boxes) ?<br /><span style="FONT-WEIGHT: bold">Andrew Liles</span> - "Reis, remixed by Freiband" (Mind Da Gap volume 63) 2006<br /></span><a href="http://www.crispinglover.com/"><span style="FONT-WEIGHT: bold;font-size:85%;" >Crispin Hellion Glover</span></a><span style="font-size:85%;"> - "selected readings from oak mot, part II" (The Big Problem ≠ The Solution. The Solution = Let It Be) 1989<br /><br />search the links<br /></span></span>Gárgula Eléctricahttp://www.blogger.com/profile/13294523111225311141noreply@blogger.com0