Hardware

Ambient Sequencer AS-606

Did you think about how to create ambient music that sounds like somebody left a brick on a synthesizer and went for a cup of coffee?
Well now you can! With Ambient Sequencer AS-606 it is possible to compose music that lasts several aeons and is very simple to use.

Ambient Sequencer AS-606 features:

One-channel one-step sequencer*
Unlimited note duration20-voice polyphony**
Compatible with all digital and analog keyboards
Real-time control for all parameters
"To Infinity And Beyond™" infinite control resolution
Contains no small parts
No choking hazard
Suitable for children less than three years old

*two-step sequencing option using "black-white" -technique
**with standard-sized keyboards, more with mini-keyboards
***yeah, right

Ambient Sequencer AS-606 in the box

Ambient Sequencer AS-606 in action with Roland Juno 106

Ambient Sequencer AS-606 in action with Casio VL-Tone

Ambient Sequencer AS-606 in action with M-Audio Trigga Finger
Ambient Sequencer AS-606 and M-Audio Trigga Finger in detail
Available at a building supplies near you.
Cortesia de Jorge Miguel Nunes André

surface noise poliphony

Paschal de l'Estocart - "L'Eau Va Viste En S'Escoulant"+"Mondain, si tu le scais, di moy" et al (Octonaires de la Vanité du Monde/Ensemble Clément Janequin) ca. 1539-1584
Paschal de l'Estocart - "Le beau du monde" (Inconstance et Vanité du Monde Musique aux cours de France et de Savoie en 1601/ Anne Quentin et al.) sec. XVI
Luca Marenzio - "Tirsi morir volea" (Inconstance et Vanité du Monde Musique aux cours de France et de Savoie en 1601/ Anne Quentin et al.) sec. XVI
J. S. Bach - "Kommt, ihr Töchter, helft mir klagen" (Matthäus Passion BWV 244) 1727/ Willem Mengelberg, 1939
J. S. Bach - "Kommt, ihr Töchter, helft mir klagen" (Matthäus Passion BWV 244) 1727/ Fritz Lehmann, 1949
Andrew Liles/Current 93 - "The Mystical Body Of Christ In Chorazaim (The Great In The Small)" (Nature Revealed) 2009
J. S. Bach - "Du lieber Heiland du (recitativo/Aria)" (Matthäus Passion BWV 244) 1727/ Willem Mengelberg, 1939

ritornello (differenz/wiederholung)

"C'est curieux comme la musique n'élimine pas la ritournelle médiocre ou mauvaise, ou le mauvais usage de la ritournelle, mais l'entraîne au contraire, ou s'en sert comme d'un tremplin. "Ah vous dirai-je maman...", "Elle avait une jambe de bois...", "Frère Jacques...". Ritournelle d'enfance ou d'oiseau, chant folklorique, chanson à boire, valse de Vienne, clochettes à vache, la musique se sert de tout et emporte tout. Ce n'est pas qu'un air d'enfant, d'oiseau ou de folklore, se réduise à la formule associative et fermée dont nous parlions tout à l'heure. Il faudrait plutôt montrer comment un musicien a besoin d'un premier type de ritournelle, ritournelle territoriale ou d'agencement, pour la transformer du dedans, la déterritorialiser, et produire enfin une ritournelle du second type, comme but final de la musique, ritournelle cosmique d'une machine à sons. D'un type à l'autre, Gisèle Brelet a bien posé le problème à propos de Bartok: comment, à partir des mélodies territoriales et populaires, autonomes, suffisantes, fermées sur soi comme des modes, construire un nouveau chromatisme qui les fasse communiquer, et créer ainsi des "thèmes" qui assurent un développement de la Forme ou plutôt un devenir des Forces? [...]"

[Gilles Deleuze — Félix Guattari: Mille Plateaux. Editions de Minuit — Chapitre: "De la ritournelle" page 381.]


tracklist de 09/05/2009:

Goem - "Comp Negen" (Bip-Hop Generation [v.1]) 2001
Bernhard Lang - "spur 6" (Loop Generator)
Bernhard Lang - "II. Erzählung, Happiness is a by-product of function" (Das Theater der Wiederholungen) 200-2002
Wolfgang Mitterer - "Radio Fractal 3" (Radio Fractal/Beat Music) 2003
Dr. Robert Greenberg - "Ritornello form" (Great Music)
Bernhard Lang - "Repetition/Difference" (Differenz/Wiederholung 2) 2000
Bernhard Lang - "Acto I. Cena 2. - Fi Fa Fu" (I hate Mozart) 2006
Claudio Monteverdi - "Acto 1. Ritornello: speranza, tu mi vai" (L'Incoronazzione di Poppea) 1642
Gilles Deleuze/Richard Pinhas - "Gilles Deleuze et les Musiciens" (France Culture)
Bell Telephone Laboratories - "Echo and Reverberation" (The Science of Sound) 1959
Bernhard Lang - "III. Erzählung. Von Menschen und Engeln" (Das Theater der Wiederholungen) 2000-2002
Pierre Henry - "Éclats" (Investigations) 1959
Bernhard Lang - "Acto 1. Cena 8. - Impossibile" (I hate Mozart) 2006
Francesco Cilea/Maria Callas - "Poveri Fiori" (Adriana Lecouvreur) 1902/?

Artikulation (Gyorgy Ligeti)



[Em 1970, Rainer Wehinger criou uma "Hörpartitur",
uma partitura para ouver a peça
"Artikulation" de György Ligeti.
Alguém se lembrou de filmar cada página e sincronizar com a música.]

africa crops


Sublime Frequencies - "Autorail" (Bush Mali Taxi: Field recordings from Mali) 1998
Lucien Monbuttou - "Kpiele" (Extreme Music from Africa) 1997
Alhaji K. Frimpong - "Kyenkyen Bi Adi Mawu" (Kyenkyen Bi Adi Mawu) 1976
Sublime Frequencies - "Country Dogo at Night" (Bush Mali Taxi: Field recordings from Mali) 1998
Ata Kak - "Obaa Sima" (Obaa Sima) 1986
Rorogwela - "Death Lullaby" (Extreme Music from Africa) 1997
VV. - "Adova 1" (Drums of death: Field recordings in Ghana) 1998
The Last Poets - "Black is" (This is Madness) 1971
Os Turbantes - "De Faia" 2006
Orchestre Poly-Rythmo de Cotonou - "Gbeti Madjiro" (African Scream Contest: Raw & psychedelic Afro Sounds from Benim and Togo 70's) 2008
Sublime Frequencies - "Morning La Djenne"+"Radio Bamako" (Bush Mali Taxi: Field recordings from Mali) 1998
Group Inerane - "Kuni majagani" (Guitars from Agadez) 2008
Vicious Teengirl - "Tutampiga" (Extreme Music from Africa) 1997

uma casinha portuguesa, com certeza...

[Silva Júnior, fachada principal e fachada lateral de uma casa portuguesa.
Revista de Turismo
, número 72, de 20 de Junho de 1919.]

António Ferreira - "O verão nasceu da paixão de 1921" (Antologia de música electrónica portuguesa) 2004
Carlos Mendes - "Verão" (Festival RTP da Canção) 1968
Paquete de Oliveira e João Peste - "Entrevista" (Ama Romanta Sempre) 1999
Telectu - "Lado B" (Ctu Telectu) 1982
Tecnosterona Productions - "Melancolia" (Radio Port) 2005
João Villaret - "Procissão" (Uma noite... na revista)
Puccini Rocks - "facafacaganchogancho"+"spectrum"+"praceta santo lenho" (The Pirilampo Magico Project) 2007
Vinicius de Moraes et al - "O dia da criação" (Uma noite em casa de Amália) 1968
Santa Maria Gasolina em Teu Ventre - "Era uma vez um preto com sida" (Free Terminator/Falcão Solitário sem ser Distorção) 1989
No Noise Reduction - "RLOII" (Antologia de música electrónica portuguesa) 2004
António Mourão - "Ó tempo, volta p'ra trás" (Uma noite...na revista)

Apocatastasis

Luc Ferrari - "Presque Rien nº1 c)" (Presque Rien) 1971
François Bayle - "Le Langage des Fleurs: Metaphore" (L'Expérience Acoustique) 1970-72
Luc Ferrari - "Musique Promenade b" (Presque Rien) 1969
De Organographia - "Musical excerpts... anonym" (Music of Ancient Sumerians, Egyptians and Greeks) II A.C.
Opus Avantra - "Ah, douleur!" (Donella del Monaco) 1973
Red Noise - "En direct du buffet de la gare" (Sarcelles-Lochères) 1971
Marin Marais - "Tableau of a Lithotomy" (Tableau of a Lithotomy) 1725/1960's
Marin marais - "Les Relevailles" (Pièces de Viole/Tableau de L'opération de la Taille) 1725
J.S.Bach/Glenn Gould - "Partita para teclado nº2 em dó menor BWV 826, Sinfonia" (Italian Concerto & Partitas I, II) 1726/30
J.S.Bach - "Herr, unser Herrscher..." (Paixão segundo S. João, BWV 245, dir. Andrew Parrot) 1724
Kaoru Abe & Masayuki Takayanagi- "Mass Projection 1" (Mass Projection) 1970
J.S.Bach - "Wir setzen uns mit Tránen nieder (Coro)" (Paixão segundo S. Mateus, BWV 244, dir. Philippe Herreweghe) 1727
Arne Babernhausenheider - White Rabbit von Braketo" ?
Carl Orff - "Wann endet die Zeit?" (De temporum fine comoedia) 1973
Enbilulugugal - "Nunsucking Necrophiles" (NoizeMongers for GoatSerpent) 2004
Miles Davis - "The Birth of the Cool theme (Live)" (The Birth of the Cool) 1949/50
Vince Guaraldi - "Linus and Lucy" (Oh, Good Grief!) 1968
Danny Ben-Israel - "Bad Trip" (The Kathmandu Sessions) 1970

Kenji Siratori - Cyber Sphere


Poucos escritores “bizarro” – uma das veias literárias que mais sangue reconduziu ao coração da ficção científica – conseguiram a projecção das suas visões através de uma simbiose tão transparente entre forma e conteúdo. Em Kenji Siratori não parecem existir limites entre os espaços literário e musical, e as múltiplas formas de disseminação de que se apropriou, desde a tinta sobre papel até ao código digital do mp3, revelam uma Gestalt notável quando acopladas à mensagem futurista que lhes imprime. Todos os meios são válidos para o vírus Kenji Siratori que, nos últimos anos, contaminou o meio ambiente com um espólio de detritos electrónicos cujo rasto é facilmente identificável, se bem que dificilmente assimilável na sua totalidade.

Colocando um pouco de parte a componente literária da sua produção artística, no plano musical é inevitável a sua associação à falange de músicos que exploram as infinitas arestas do ruído. Masami Akita e Yamasaki Maso são nomes que surgem inequivocamente pela proximidade sonora que aparentam, mas os mecanismos conceptuais em funcionamento no subconsciente sonoro de cada um são bastante distintos. Se em Akita encontramos referências à ecologia radical e Maso nos atormenta com um psicadelismo ultraviolento, em “Cyber Sphere” podemos não só escutar, mas também compreender, um dos conceitos fundamentais da filosofia de Siratori: “o ruído da vida”.

No filme “Eli Eli Lema Sabachtani?” (título apropriado das últimas palavras de Cristo na cruz, “Deus meu, Deus meu, por que me desamparaste?”) do seu compatriota Shinji Aoyama, o espectador é catapultado para um Japão distópico, que em 2015 se encontrava a braços com a devastação absoluta e despovoação galopante provocadas pelo “lemming syndrome”. Esta doença viral que impulsionava os pobres infectados ao suicídio tinha apenas uma cura: a audição de ruído. Na improbabilidade de alguma vez sermos assolados por tamanha pestilência, “Cyber Sphere” afigura-se uma óptima panaceia.
Henrique Vicente

Para fazer o download do disco é aqui.

de temporum fine parodia


Conteúdo da paródia:

Carl Orff - "Opse theu g'aleusi myloi"+"Cho - neuso gar hapanta kai"+"Vae, vae ibunt, ibunt"+"Upote, maepote..."+"Unus solus deus ab aeterno" (De temporum fine comoedia) 1973
Current93 & Andrew Liles - "Christus Christus (The Shells Have Cracked)" (Dogs Blood Ascending: a remix by Andrew Liles) 2008
Emit - "Herald The Dawn With Your Offerings" (A Sword of Death for the Prince) 2005
Carl Orff - "Wann endet die Zeit?" (De temporum fine comoedia) 1973
Enbilulugugal - "Return to Hellrokken GoatSex" (Noizemongers for GoatSerpent) 2004
Olivier Messiaen - V. Louange à l'Éternité de Jésus (Quatuor pour la fin du temps) 1941
Giuseppe Verdi - Dies Irae (Requiem) 1974
Carl Orff - "Pater peccavi" (De temporum fine comoedia) 1973
Current93 & Andrew Liles - "From Broken Cross, Locusts" (Dogs Blood Ascending) 2008
Current93 - "I Have A Special Plan For This World" (I Have A Special Plan For This World) 2000
Carl Orff - "Con sublima spiritualità" (De temporum fine comoedia) 1973
Enbilulugugal - "Raped by Mammoth" (Noizemongers for GoatSerpent) 2004
Studio der Frühen Musik - "Baron De Mon Dan Covit" (Musik des Mittlealters) 1978

high speed solar solstice




Em ritmo muito acelerado (durante 15 minutos de flama) ouviu-se:

Coil, Kemialliset Ystavat, Antonin Artaud (La danse du Tutuguri), My Cat is an Alien, Hammemit

Food for your brain

A 13 de Dezembro o vasto auditório do Tecnosterona foi presenteado com uma dose de tudo isto:
Foodbrain - That Will Do (A Social Gathering)
Hapshash & The Coloured Coat - Aoum (Featuring The Human Host And The Heavy Metal Kids)
Ultra-Red - Rotlicht (Play Kanak Attakk)
Ultra-Red - Liberté de Mouvement (Play Kanak Attakk)
Cromagnon - Ritual Fist of The Libido (Orgasm)
Heldon - Perspective IV (Agneta Nilsson)
Ravi Shankar - Bhimpalasi (The Sounds of India)
Madrigal - Stoned Freakout (Madrigal)
Ros Sereysothea - Wicked Husband (Cambodja Rocks vol. 1)
Acid Mothers Temple & The Melting Paraiso U.F.O. - The Holly Mountain in The Counter-Clock World (The Penultimate Galactic Bordello Also The World You Made)

1st Global Conference: Videogame Cultures and the Future of Interactive Entertainment

Friday 10th July - Sunday 12th July 2009
Mansfield College, Oxford, United Kingdom

Call for Papers
This inter- and multi-disciplinary conference aims
to examine, explore and critically engage with the
issues and implications created by the
mass use of computers and videogames for human
entertainment and focus on the impact of
innovative videogame titles and interfaces for
human communication and ludic culture. In
particular the conference will encourage equally
theoretical and practical debates which surround
the cultural contexts within which videogames
flourish.

Papers, presentations, workshops and reports are
invited on any of the
following themes:

1. Videogames and Gaming
Theories and Concepts of Gaming. Identifying Key
Features and Issues.

2. Videogame Cultures
Emerging Practices in Online and Offline Gaming.
The changing Role of the Player.
Social Dimension of Online Gaming and Presence in
Virtual Worlds.
Videogame Modifications, Modders and their
Subcultures. Avatars and Identity.

3. Videogame Technologies and the Future of
Interactive Entertainment
The Spatiology of Videogames and Virtual Worlds.
Interaction, Interactivity and Collaboration in
Videogames. The Role of Innovative Interfaces.
Hard Core and Casual Gaming.

4. The History of Virtual Worlds and their Cultures
The Evolution of Gaming Communities. The Cult
Videogames and Interfaces of the Past. The
Pioneers of Virtual Worlds. The lost Genres.

5. The Relations between Cinema and Videogames
Crossmedia and Transmedia Approach to Videogames.
Cutscene Production. Machinimation. Interactive
Storytelling.

6. Art and Experimental Games
The Aesthetic Aspects of Videogames. Performative
Use of Videogames. Mixed Reality Games. Net-Art.

7. Serious Games and Educational Use of 3-D
Videogames and Virtual Worlds
Serious Games and Social Impact Simulations.
Documentary Videogames. Edutainment. Case Studies
on Educational Use of Videogames. Political
Issues. Censorship.

Papers will be considered on any related theme.
300 word abstracts should be submitted by Friday
6th February 2009. If your paper is accepted for
presentation at the conference, an 8 page draft
paper should be submitted by Friday 5th June 2009.

300 word abstracts should be submitted to both
Organising Chairs; abstracts may be in Word,
WordPerfect, or RTF formats, following this order:

author(s), affiliation, email address, title of
abstract, body of abstract

We acknowledge receipt and answer to all paper
proposals submitted. If you do not receive a reply
from us in a week you should assume we did
not receive your proposal; it might be lost in
cyberspace! We suggest, then, to look for an
alternative electronic route or resend.

Joint Organising Chairs

Daniel Riha
Charles University
Prague,
Czech Republic
E-Mail: daniel.riha@ff.cuni.cz

Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire,
United Kingdom
E-Mail: gc@inter-disciplinary.net

The conference is part of the 'Critical Issues'
series of research projects run by ID.Net. It aims
to bring together people from different
areas and interests to share ideas and explore
various discussions which are innovative and
challenging. All papers accepted for and presented
at the conference will be published in an ISBN
eBook. Selected papers may
be invited to go forward for development into
20-25 page chapters for publication in a themed
dialogic ISBN hard copy volume.

For further details about the project please visit:
http://www.inter-disciplinary.net/ci/Cyber/gc/gc.html

For further details about the conference please visit:
http://www.inter-disciplinary.net/ci/Cyber/gc/gc1/cfp.html

4th Global Conference: Visions of Humanity in Cyberculture, Cyberspace and Science Fiction

Monday 6th July - Wednesday 8th July 2009
Mansfield College, Oxford

Call for Papers
This inter-disciplinary and multi-disciplinary
project aims to explore what it is to be human and
the nature of human community in cyberculture,
cyberspace and science fiction. In particular, the
project will explore the possibilities offered by
these contexts for creative thinking about persons
and the challenges posed to the nature and future
of national, international, and global communities.

Papers, short papers, and workshops are invited on
issues related to any of the following themes:

* the relationship between cyberculture,
cyberspace, science fiction
* cyberculture, cyberpunk and the near
future: utopias vs. dystopias
* science fiction and cyberpunk as a medium
for exploring the nature of persons
* humans and cyborgs; the synergy of humans
and technology; changing views of the body
* human and post-human concepts in cyber arts
and cinema
* bodies in cyberculture; from apes to
androids - electronic evolution; biotechnical
advances and the impact of life, death, and
social existence; the impact on individuality
* gender and cyberspace: new feminisms, new
masculinities
* electronic persons, community and identity;
cyberspace, cybercommunities, virtual worlds
* digital culture and interactive storytelling
* old messages, new medium: cyberspace and
mass communication
* nature, enhancing nature, and artificial
intelligence; artificial life, life and
information systems, networked living
* human and post-human politics; cyborg
citizenship and rights; influence of political
technologies
* cyberpolitics, cyberdemocracy, cyberterror;
old conflicts, new spaces: elections, protest and
war in cyberspace; nationality and nationalism in
cyberculture; the state and cyberspace: repression
vs. resistance
* cybercultures: the transnational and the local
* boundaries, frontiers and taboos in cyberculture
* religion and spirituality in cyberculture,
science fiction and cyberpunk
* technology vs. the natural? cyberculture
and the green movement

Papers will be considered on any related theme.
300 word abstracts should be submitted by Friday
6th February 2009. If your paper is accepted for
presentation at the conference, an 8 page draft
paper should be submitted by Friday 5th June 2009.

300 word abstracts should be submitted to both
Organising Chairs; abstracts may be in Word,
WordPerfect, or RTF formats, following this order:

author(s), affiliation, email address, title of
abstract, body of abstract

We acknowledge receipt and answer to all paper
proposals submitted. If you do not receive a reply
from us in a week you should assume we did
not receive your proposal; it might be lost in
cyberspace! We suggest, then, to look for an
alternative electronic route or resend.

Joint Organising Chairs
Dr Daniel Riha
Charles University
Prague,
Czech Republic
E-mail: daniel.riha@ff.cuni.cz

Dr Rob Fisher
Inter-Disciplinary.Net
Priory House, Wroslyn Road
Freeland, Oxfordshire OX29 8HR
E-mail: visions4@inter-disciplinary.net

The conference is part of the 'At the Interface'
series of research projects run by ID.Net. It aims
to bring together people from different
areas and interests to share ideas and explore
various discussions which are innovative and
challenging. All papers accepted for and presented
at the conference will be published in an ISBN
eBook. Selected papers may be invited to go
forward for development into 20-25 page chapters
for publication in a themed dialogic ISBN hard
copy volume.

For further details about the project please visit:
http://www.inter-disciplinary.net/ati/Visions/vhccsf.htm

For further details about the conference please visit:
http://www.inter-disciplinary.net/ati/Visions/v4/cfp.html

1/2

No sábado, 6 de Dezembro, houve meio programa em meia estereofonia:



Enbilulugugal/Kaoru Abe/Dj Scotch Egg/Venetian Snares/Deathstorm/Pierre Henry/Tibet: Chants Sacrées/

frosty cold november


A playlist de hoje:

Kuupuu - "Aava" (Kulta Sulka) 2006
Kuupuu - "Myrsky Laulu" (Kulta Sulka) 2006
Chris Watson & BJ Nilsen - "Sigwx" (Storm) 2006
Paivasande - "Sihitaikina" (Maan Matoset - compil.) 2005
Erkki Kurenniemi - "On-Off" (Äänityksiä / Recordings 1963-1973) 2002
Paavoharju - "Sumuvirsi" (Laulu Laakson Kukista) 2008
Sunburned Hand of the Man - "The Twin Gates"+
"Every Direction" (No Magic Man) 2004
Pierre Henry - "Jugement" (Le Livre des Morts Egyptien) 1986-88 (1994)
Sunburned Hand of the Man - "Camel backwards" (Rare Wood) 2004
Brenda Lee - "I'm sorry" 1960
Inland Empire - "Intro" (Inland Empire OST) 2006
Sunburned Hand of the Man - "Elix it" (Magnetic Drugs) 2003

NEKHT, THE CAPTAIN OF SOLDIERS, THE ROYAL SCRIBE, SINGETH A HYMN OF PRAISE TO RA, and saith:- Homage to thee, O thou glorious Being, thou who art dowered [with all sovereignty]. O Tem-Heru-Khuti (Tem- Harmakhis), when thou risest in the horizon of heaven a cry of joy goeth forth to thee from all people. O thou beautiful Being, thou dost renew thyself in thy season in the form of the Disk, within thy mother Hathor. Therefore in every place every heart swelleth with joy at thy rising for ever. The regions of the South and the North come to thee with homage, and send forth acclamations at thy rising on the horizon of heaven, and thou illuminest the Two Lands with rays of turquoise-[coloured] light. O Ra, who art Heru-Khuti, the divine man-child, the heir of eternity, self-begotten and self-born, king of the earth, prince of the Tuat (the Other World), governor of Aukert, thou didst come from the Water-god, thou didst spring from the Sky-god Nu, who doth cherish thee and order thy members. O thou god of life, thou lord of love, all men live when thou shinest; thou art crowned king of the gods. The goddess Nut embraceth thee, and the goddess Mut enfoldeth thee at all seasons. Those who are in thy following sing unto thee with joy, and they bow down their foreheads to the earth when they meet thee, the lord of heaven, the lord of the earth, the King of Truth, the lord of eternity, the prince of everlastingness, thou sovereign of all the gods, thou god of life, thou creator of eternity, thou maker of heaven wherin thou art firmly stablished.

[APPENDIX (From the Papyrus of Nekhtu-Amen, ed. Naville, I, 5)]

bukkake sunrise


A playlist de 22 de Novembro:

Master Musicians of Bukkake - "Bukkake Sunrise" (The Invisible Sign of The Invisible Order) 2004
Master Musicians of Bukkake - "Yellow Bile/Desperate Ground" (The Invisible Sign of The Invisible Order) 2004
Yahowa 13 - "Ho" (Penetration) 1974
Pocahaunted - "Divine Flesh" (Peyote Road) 2008
Pramod Kumar - "Raga Purya Kalyan" (Indian Raga Route) 70's
Kawabata Makoto - "Osculation (remix version)" (I'm in Your Inner Most) 2002
Terry Riley - "A Rainbow in Curved Air" (A Rainbow in Curved Air) 1971
Children of One - "Spheres" (Children of One) 1969
Terry Riley - "Mescaline Mix" (Music for the Gift) 1960-63
Salvador Dali - "L'Apothèose du Dollar" (Pub pour le CCF) 1971
Paavoharju - "Pimeänkarkelo" (Laulu Laakson Kukista) 2008

At the beginning the Creator existed.
Everyone knows about him.
And White Painted Woman also existed.

(1.2)
Afterwards Child of the Water was born.
Killer of Enemies also was born.

(1.3)
So there were four existing at the very beginning [of time].

(1.4)
And Child of the Water was the child of White Painted Woman.
And Killer of Enemies was one of the evil people.

(1.5)
He who is called Giant also existed.
He did not permit people to live.
White Painted Woman's children were being born.
While White Painted Woman's children were still small,he who is called Giant ate them.

[The Child of Water, excerpt]

droning on

playlist de 15 de Novembro:

Terry Riley; Yoshi Wada; La Monte Young; Elvis, John Lennon & Princess Diana; Taj Mahal Travellers; Nasser Rastegar; Ravi Shankar; Roots of Gamelan; Richard Pinhas + Merzbow; V. A. Occult Explosion; Sopwith Camel; Wendy Carlos